Johann Wolfgang von Goethe is most famous for his work on color theory, but he was also an accomplished all-round scientist, studying and writing on anatomy, geology, botany, zoology and meteorology. This book draws together, in Goethe's own words, his key ideas on nature, science and scientific method. Goethe believed that we should study our world and nature as people at home in it, rather than removedly, as if we were aliens from another planet. He adopted a (...) qualitative approach to science at odds with Newton's quantitative methods that were so popular in his day. His is a sensitive science which does not ignore our relationship to nature. The extracts in this book are fascinating and essential reading for anyone who feels that we've lost our spiritual connection to nature. (shrink)

Quem quer que de algum modo tenha se ocupado da teoria da poesia, e particularmente da tragédia, recordar-se-á de uma passagem em Aristóteles que causou muita dificuldade aos intérpretes, sem que pudessem concordar completamente sobre o seu significado. Numa caracterização mais precisa da tragédia, o grande homem parece esperar dela que, por meio da encenação de ações e acontecimentos que suscitam compaixão e medo, purifique (reinigen) o ânimo do espectador das paixões mencionadas. Acredito poder comunicar de melhor maneira meus pensamentos (...) e minha convicção sobre a passagem mencionada por meio de uma tradução dela. (shrink)

Die Arbeit untersucht die Bedeutung der Analogie an der Schnittstelle von Wissenschaft und Ästhetik um 1800. Hierfür analysiert sie ihre mathematischen und rhetorischen Ursprüngen in der Antike und zeichnet davon ausgehend ihre Rückkehr in der M.

Literary scholars and poets are like intimate strangers. They owe their closeness to literature and their alienation to their different relationship to productivity. This book examines Goethe, Friedrich Schlegel, Lonnrot, Hofmannstahl, and Szondi, among others. It analyzes the reasons for this alienated closeness and describes a tradition that has shaped the relationship between poetic productivity and philological understanding.".

Goethe’s religiosity appears at the same time profoundly sincere yetescaping confessional labels. It has been claimed that Goethe was Christian,theist, mason, and even a pagan. Our work aims at studying Goethe’sreligiosity throughout his life, and in particular in his relationship with Islām.Of all religions Goethe studied and interacted with, Islām is remarkably absentfrom literary critic, yet he elaborated it throughout his life. We will proposea periodisation which divides his relationship with Islām into four stages, inwhich specific (...) religious themes echo in his letters and works, most of whichhave not been pointed out before, such as in the Faust. Finally, we will discussour findings in the context of religious studies scholarship, and approach theissue of what can Goethe suggest for the meaning of a European Islām today. (shrink)

The paper aims to understand whether morphology can be framed as a language for aesthetics. In particular, whether Olaf Breidbach’s contribution can determine its fundamental terms. These are related to the notion of forms and images. Hence, the paper is structured into three parts: i) framing of research on morphology in Ger-many; ii) analysis of Goethe’s method and vocabulary from an aesthetic standpoint; iii) presentation of Breidbach’s proposal in relation to Goethe.

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